Photos above: Robert Piwko, Tiff Wear, PL. Colour sketch: Tracey Tofiled. Colour illustration E. M. Parry.
'I am so amazed by what you offer in your workshops!' - recent Course Participant
Courses are available either ONLINE or IN-PERSON and include:
Alchemy of Archetypes, Alchemy of the Elements (Earth Air Fire Water), Commedia dell'Arte ('Bare-faced Commedia' when ONLINE), Mask & Movement (with 'neutral' masks), Mime & Physical Expression, Comedy Toolbox, Red Nose Clown, Clown & Dark Clown, Dark Clown Level Two (for graduates of Clown & Dark Clown) and - stay tuned in 2023 for new courses:
Melodrama and Sad & Tragic Clown.
'Highly recommended work for all artists and many humans. Honestly. Especially in these dark, difficult times. Liberating work. Grow your skills and awareness on and off stage. Expertly led workshops by Peta Lily.' - JDK
'I am so amazed by what you offer in your workshops!' - recent Course Participant
Courses are available either ONLINE or IN-PERSON and include:
Alchemy of Archetypes, Alchemy of the Elements (Earth Air Fire Water), Commedia dell'Arte ('Bare-faced Commedia' when ONLINE), Mask & Movement (with 'neutral' masks), Mime & Physical Expression, Comedy Toolbox, Red Nose Clown, Clown & Dark Clown, Dark Clown Level Two (for graduates of Clown & Dark Clown) and - stay tuned in 2023 for new courses:
Melodrama and Sad & Tragic Clown.
'Highly recommended work for all artists and many humans. Honestly. Especially in these dark, difficult times. Liberating work. Grow your skills and awareness on and off stage. Expertly led workshops by Peta Lily.' - JDK
WAITING LIST ONLY NOW
MIME & PHYSICAL EXPRESSION - 7 & 8 Dec 2024 - 10am - 5pm
A course for actors, clowns, storytellers, theatre makers, improvisers, singers and stand-ups ... anyone who wants to add more physical detail & dimension to their work
'I want to do this course again!'
‘Loved the work and exploration.
My body feels looser and so does my mind!
Also made me free-er emotionally.’
‘I found your insights into different body centres fascinating - nothing any other physical theatre teacher has gone into so satisfactorily.'
A fun and rich training
Peta Lily worked with Lecoq and Gaulier but also studied dance, mime, corporeal mime, Commedia dell’Arte, Chi Gung and Butoh - all of which she has melded into one coherent, transformational practice. Lily was originally an actor and also studied directing with Mike Alfreds’ author of Different Every Night. She teaches at RADA and RCSSD.
'Some of the biggest laughs came from the smallest and most nuanced of movements, and it's this physicality that is the star of the show’ -
'Whoa Mama' directed by Peta Lily reviewed in Broadway World 4 Stars
Why study mime?
Having mime skills gives the actor physical finesse and quality plus greater ability to create truthful but effective moments onstage reliably, and to create reality with more specificity, nuance and atmosphere.
As with poetry, mask-work and puppetry, well-performed mime has the power to capture audience’s imaginations and be unexpectedly moving.
Mime skills give the performer added skill in improvisation and added confidence in performance.
The work is useful for both comedy and drama - the course will include:
- a wonderfully clear language of articulation in the body (basic Decroux technique).
- useful illusionary mime techniques (opening doors, using mimed objects - but in a way that incorporates emotion, style and atmosphere)
- the more organic, dynamic technique, 'mime corporeal' work of Theatre du Mouvement – useful for shared dynamics and emotional representation and access.
... plus!
- the immersive, transformational practice of Butoh (bring more of you into play, access more qualities, textures and playing styles)
- Lily’s own work on the Emotion Zones to extend your range of emotional expression, giving you more confidence and more choices
- Emotion Zones work includes vocal expression to generate an embodied sound
- using the space and energy for added impact and meaning
- mini improvisations to use the skills in action
And more!
‘Peta’s endless experience of all things clown and Commedia Dell’Arte , plus her fountain of knowledge on all things theatre makes her a consummate teacher.’
‘Rich and in depth … techniques are well-explained and suggestions are worded well … enjoyable and incredibly helpful!
Passion, positivity, energy, and craft!’
Bring a nursery rhyme and a short speech (more information on booking).
WHEN:
Saturday 7 December 10am - 5pm
Sunday 8 December 10am - 5pm
WHERE:
BOLD
21 St George's Rd, Elephant and Castle, London SE1 6ES
COST:
£209
APPLY OR ASK A QUESTION
Extra information
If you have seen the wonderful film ‘Les Enfants du Paradis’, you will have glimpsed the ‘Father of Modern Mime’: Etienne Decroux. Decroux taught leading actor Jean-Louis Barrault who gives a wonderfully expressive mimetic performance as Pierrot in the film. Decroux also taught Marcel Marceau, and Peta Lily’s teacher Desmond Jones. In the 1980’s Lily co-founded Britain’s first all-female mime troupe who toured widely and subverted the classic form to approach new subjects and diversify the form with dance, props, masks, new subjects, costumes and text. She went on to study with Theatre du Mouvement with their more organic and dynamic approach to mime corporel.
About the Workshop leader:
Peta Lily is a director, performer, theatre maker and teacher who uses physical theatre and acting techniques to direct plays and devise theatre pieces in the UK and overseas. She was one of the leading artists of the Physical Theatre movement in the 80’s/90’s and has a long career as a solo performer. She also works as a movement director and teaches at RADA and RCSSD. Contributor to ‘Mime into Physical Theatre: A UK Cultural History 1970–2000’ complied by Mark Evans and Simon Murray, Routledge. Contributor to ‘Notes on Creation’ – a resource book on Devising compiled by Oli Pinchbeck and Declan Mee of Katapult, Berlin, supported by Fonds Darstellende Künste.
'A marvellous teacher - providing support and encouragement for each member of the group with a very precise structure and an acute eye that sees exactly what would be helpful or not at a particular time. Highly recommended.' - Stephen K. Levine–Educator, Theatre Practitioner, Author
Photography by Agnes Treplin, Dee Conway and Douglas Robertson
Illustration by Charlotte Biszewski
How Dark Clown works: Comedy craft can be employed to bring laughter to challenging subjects. Lily's Dark Clown work retains respect for the subject matter and creates intriguing and enriching experiences for performer and audience alike. Lily's unique approach makes widening the range of the clown's expression both safe and invigorating. Read more on the blog: www.petalily.com/clown-dark-clown-theatre-practice-blog
WATCH: ‘Peta Lily’s Dark Clown; Taking Laughter to the Limits' - Made by the remarkable photographer and documentary filmmaker Robert Golden, the film traces the steps of Peta Lily taking a group on the Clown & Dark Clown Course journey, extending the possibilities of Clown work beyond the Red Nose Clown style as taught by Philippe Gaulier and Jacques Lecoq. Through practical explorations over the last 30 years, she has built a unique approach to generating laughter from a darker context. View it HERE.
Dark Clown is Lily's unique body of work - she has founded an exciting new genre of Clown. Her paper The Comedy of Terrors – Dark Clown & Enforced Performance was delivered at the Bath Spa University and her Dark Clown work is cited in Jon Davison’s Clown (Readings in Theatre Practice) - Palgrave MacMillan 2013. You can also watch these short, sweet videos on Lily's Clown and Dark Clown work made by Nick Cowell.
WATCH: ‘Peta Lily’s Dark Clown; Taking Laughter to the Limits' - Made by the remarkable photographer and documentary filmmaker Robert Golden, the film traces the steps of Peta Lily taking a group on the Clown & Dark Clown Course journey, extending the possibilities of Clown work beyond the Red Nose Clown style as taught by Philippe Gaulier and Jacques Lecoq. Through practical explorations over the last 30 years, she has built a unique approach to generating laughter from a darker context. View it HERE.
Dark Clown is Lily's unique body of work - she has founded an exciting new genre of Clown. Her paper The Comedy of Terrors – Dark Clown & Enforced Performance was delivered at the Bath Spa University and her Dark Clown work is cited in Jon Davison’s Clown (Readings in Theatre Practice) - Palgrave MacMillan 2013. You can also watch these short, sweet videos on Lily's Clown and Dark Clown work made by Nick Cowell.
Peta Lily works as a Director, Acting Coach, Creative Mentor in online 121's - use the contact form below or go here.
ONLINE CREATIVE 121’S
'I left the session buzzing and feeling THIS IS POSSIBLE! Peta is an effervescent and supportive mine of wisdom, creativity and knowledge. Thoroughly recommended.’ - Lexi Strauss Artist and Performer
'My favourite call this quarantine. Hugely inspired and in-spirit-ed.' - Ian Sellars, Theatre Explorer (121 introduction to Clown)
I worked with Peta developing script fragments. She really knows how to build a piece, a theatre maker through and through!'
- Karola Gajda Writer and Theatre Maker
DIRECTING / DRAMATURGY / ASSOCIATE DIRECTOR
'I cannot recommend Peta Lily highly enough - a brilliant dramaturg and mentor. She is sensitive to existing practice whilst questioning old habits to provoke bolder choices and deeper connection. We worked with her for just five days on La Poule and it was amazing.' - Sarah-Louise Young won The Stage Edinburgh Award 2016 Edinburgh directed by Peta Lily in 'La Poule Plombée/Je Regret'
‘I found the work liberating, wonderful fun and insightful ... so much to learn from her.’ - Shelley O’Brien, Mad Alice Theatre
'Her knowledge, understanding and experience within her craft is unprecedented.' - Stumbletrip Theatre Company
CREATIVE MENTOR / SCRIPT DOCTOR / SHOW DEVELOPMENT
‘In only two days, her advice, eye for details and sense of comedic timing took the work to a whole new level. Her experience and good spirit made it incredibly easy and intuitive to work together.’ - Sandrine Monin
‘Peta Lily is an incredible coach. I feel really privileged to have worked with her. Highly recommended.' - Fiona Coffey, Cabaret Artist 'A Touch of Mrs Robinson'
‘Thanks to Peta Lily for nipping and tucking the script and adding some absolutely hilarious moments.’ – Eva von Schnippisch, award-winning Cabaret Performer
ACTING COACHING / AUDITION COACHING
‘Detailed, astute coaching – helpful and uplifting.’ – Cindy-Jane Armbruster, Actor
Inhouse Workshops & Master Classes
'A unique and rewarding experience - lots of the exercises really resonated and connected with me. I found it all very inspiring and I'm grateful for what you've taught.' - Student
'I really enjoyed the session. It was great seeing the pupils so engaged! Thank you very much for giving them a memorable and valuable workshop' - Whitgift School
Groups and companies need special skills for different projects. You might need movement, mime or comedy skills, or ways to physicalise characters. Some companies request Dark Clown consulting to stretch performers and add edge to a new production.
Courses can be designed specifically to suit groups - full information available - course themes include: Comedy Toolbox ● Emotional Zones and Character Creation ● Clown ● Clown & Dark Clown ● Mime ● You're On! - a course on turning your Life into Theatre (writing and performance) ● Comedy & Confidence ● Embodied Voice ● Alchemy of Archetypes (with or without masks) ● Commedia dell'Arte
Experience plus a wide ranging background - Lily has taught at many leading Drama schools and at Ecole Phillippe Gaulier in London. She regularly teaches at the Royal Central School of Speech and Drama and RADA. She has trained with Jacques Le Coq, Philippe Gaulier, Monika Pagneux, Theatre du Mouvement, Yoshi Oida, Carlo Boso (Commedia dell'Arte), Sankai Juku (Butoh Dance), Alvin Ailey School, NY, Master Yeung Kim Wah (Cantonese Opera) and Mike Alfreds (Theatre Direction). She also brings processes and insights from the liberating and integrating work of Dina Glouberman and Arnold Mindell.
Inspirational – the work and your whole approach to it. - Tony Casement Assistant Creative Director, Mercury Theatre, Colchester
Remarkable work - creative, inspiring, challenging and satisfying. - Graeme du Fresne, Summer School Director
She speaks the language of devising, focusing on character, honesty and audience connection. We whole-heartedly recommend her. - Amelia Bird Artistic Director, Gomito Productions
Versatile and skilful, bringing great character and movement out of the performers both individually and as an ensemble. - Writer and Theatre Director Debbie Oates
Course participants report Lily's clown work teaching to be 'empowering' with 'the right amount of support and challenge':
Dark Clown has helped me develop a balanced rounded clown character that has real depth. I already feel it has helped me free up my emotional range as a performer! - Ella Golt, Artist
Demystifying comedy and explaining all the rules – very empowering. - Stewart Pemberton Circus Performer and Tap Dancer
ONLINE CREATIVE 121’S
'I left the session buzzing and feeling THIS IS POSSIBLE! Peta is an effervescent and supportive mine of wisdom, creativity and knowledge. Thoroughly recommended.’ - Lexi Strauss Artist and Performer
'My favourite call this quarantine. Hugely inspired and in-spirit-ed.' - Ian Sellars, Theatre Explorer (121 introduction to Clown)
I worked with Peta developing script fragments. She really knows how to build a piece, a theatre maker through and through!'
- Karola Gajda Writer and Theatre Maker
DIRECTING / DRAMATURGY / ASSOCIATE DIRECTOR
'I cannot recommend Peta Lily highly enough - a brilliant dramaturg and mentor. She is sensitive to existing practice whilst questioning old habits to provoke bolder choices and deeper connection. We worked with her for just five days on La Poule and it was amazing.' - Sarah-Louise Young won The Stage Edinburgh Award 2016 Edinburgh directed by Peta Lily in 'La Poule Plombée/Je Regret'
‘I found the work liberating, wonderful fun and insightful ... so much to learn from her.’ - Shelley O’Brien, Mad Alice Theatre
'Her knowledge, understanding and experience within her craft is unprecedented.' - Stumbletrip Theatre Company
CREATIVE MENTOR / SCRIPT DOCTOR / SHOW DEVELOPMENT
‘In only two days, her advice, eye for details and sense of comedic timing took the work to a whole new level. Her experience and good spirit made it incredibly easy and intuitive to work together.’ - Sandrine Monin
‘Peta Lily is an incredible coach. I feel really privileged to have worked with her. Highly recommended.' - Fiona Coffey, Cabaret Artist 'A Touch of Mrs Robinson'
‘Thanks to Peta Lily for nipping and tucking the script and adding some absolutely hilarious moments.’ – Eva von Schnippisch, award-winning Cabaret Performer
ACTING COACHING / AUDITION COACHING
‘Detailed, astute coaching – helpful and uplifting.’ – Cindy-Jane Armbruster, Actor
Inhouse Workshops & Master Classes
'A unique and rewarding experience - lots of the exercises really resonated and connected with me. I found it all very inspiring and I'm grateful for what you've taught.' - Student
'I really enjoyed the session. It was great seeing the pupils so engaged! Thank you very much for giving them a memorable and valuable workshop' - Whitgift School
Groups and companies need special skills for different projects. You might need movement, mime or comedy skills, or ways to physicalise characters. Some companies request Dark Clown consulting to stretch performers and add edge to a new production.
Courses can be designed specifically to suit groups - full information available - course themes include: Comedy Toolbox ● Emotional Zones and Character Creation ● Clown ● Clown & Dark Clown ● Mime ● You're On! - a course on turning your Life into Theatre (writing and performance) ● Comedy & Confidence ● Embodied Voice ● Alchemy of Archetypes (with or without masks) ● Commedia dell'Arte
Experience plus a wide ranging background - Lily has taught at many leading Drama schools and at Ecole Phillippe Gaulier in London. She regularly teaches at the Royal Central School of Speech and Drama and RADA. She has trained with Jacques Le Coq, Philippe Gaulier, Monika Pagneux, Theatre du Mouvement, Yoshi Oida, Carlo Boso (Commedia dell'Arte), Sankai Juku (Butoh Dance), Alvin Ailey School, NY, Master Yeung Kim Wah (Cantonese Opera) and Mike Alfreds (Theatre Direction). She also brings processes and insights from the liberating and integrating work of Dina Glouberman and Arnold Mindell.
Inspirational – the work and your whole approach to it. - Tony Casement Assistant Creative Director, Mercury Theatre, Colchester
Remarkable work - creative, inspiring, challenging and satisfying. - Graeme du Fresne, Summer School Director
She speaks the language of devising, focusing on character, honesty and audience connection. We whole-heartedly recommend her. - Amelia Bird Artistic Director, Gomito Productions
Versatile and skilful, bringing great character and movement out of the performers both individually and as an ensemble. - Writer and Theatre Director Debbie Oates
Course participants report Lily's clown work teaching to be 'empowering' with 'the right amount of support and challenge':
Dark Clown has helped me develop a balanced rounded clown character that has real depth. I already feel it has helped me free up my emotional range as a performer! - Ella Golt, Artist
Demystifying comedy and explaining all the rules – very empowering. - Stewart Pemberton Circus Performer and Tap Dancer
Lily teaches workshops and master classes in-person and online
‘a phenomenal teacher…skilled like you wouldn't believe…an exhilarating experience…’
Regular open courses include: Clown & Dark Clown; Dark Clown Level Two (available to graduates of the 2-day Clown & Dark Clown course); Take your Clown / Act / Idea Further; Comedy Toolbox and
The Alchemy of Archetypes (working with half mask and 9 archetypes) and Commedia dell'Arte.
To hire a workshop leader (for the future) go here.
‘a phenomenal teacher…skilled like you wouldn't believe…an exhilarating experience…’
Regular open courses include: Clown & Dark Clown; Dark Clown Level Two (available to graduates of the 2-day Clown & Dark Clown course); Take your Clown / Act / Idea Further; Comedy Toolbox and
The Alchemy of Archetypes (working with half mask and 9 archetypes) and Commedia dell'Arte.
To hire a workshop leader (for the future) go here.
