Photos: Robert Piwko, Tiff Wear, PL. Colour sketch: Tracey Tofiled. Colour illustration E. M. Parry.
ONLINE brings the joy of a GLOBAL classroom
Click the link above to hear about how the courses work ... then come find out for yourself!
Scroll to the bottom of this or any page on the site to join the mailing list. See below for upcoming courses.
'Fabulous teacher - courses are mentally, physically, creatively worth it.'
'What an enriching workshop! I had the chance to take part in one Peta Lily’s Clown & Dark Clown workshops and wow! It gave me a glimpse of a whole new universe of clowning.’
Click the link above to hear about how the courses work ... then come find out for yourself!
Scroll to the bottom of this or any page on the site to join the mailing list. See below for upcoming courses.
'Fabulous teacher - courses are mentally, physically, creatively worth it.'
'What an enriching workshop! I had the chance to take part in one Peta Lily’s Clown & Dark Clown workshops and wow! It gave me a glimpse of a whole new universe of clowning.’
'Amazed that on Zoom we were able to find connection, community, eye contact, playfulness and the unexpected!' - Course Participant
The Alchemy of Archetypes
for actors, clowns, theatre makers and the curious
Open to beginners as well as those with some theatre or performing experience!
At once both strange and familiar, the Archetypes are unique yet universal expressions of humanity, recognisable in myths and folk tales from many cultures and, in adapted forms, in plays and films.
You'll be guided to embody and explore the Hero, Mother, Child, Fool, Trickster, Crone, Devil, Lover, Maiden & the Carnival figure of Death.
Open up your vocal, physical and imaginative expression and celebrate the mythic inside of you!
'Fascinating and incredibly liberating.'
Mike West, Theatre Teacher
'Wonderful, inspiring, nurturing.'
Daisy Jordan, Visual Artist and Puppeteer
'A course to stretch beyond the familiar comfort zones and explore all the multitudes you contain.'
Gerry B, Writer, Performer
'I love Peta’s teaching – a free space to play and experiment. As an experienced performer, it was great to be challenged and to reconnect the physical to the intellectual.'
Pippa Evans
When:
21 July 2pm - 5pm UK time (BST)
22 July 2pm - 5pm UK time (BST)
23 July 2pm - 5pm UK time (BST)
24 July 2pm - 5pm UK time (BST)
Where:
ONLINE - by Zoom
What's it like on an ONLINE course? go here
‘Incredibly surprised by how well the course worked online
- almost like being in the room with others. Wonderfully inspiring, insightful and fun.’ - Carolina Ortega, Director/ Performer/ Dramaturg
Cost: £209 - or book before 27 June and save £50! Early Bird Price just £159.
PLEASE NOTE - Places on this course are limited.
APPLY NOW: email peta[at]petalily.com with: first and last name, the country you are based in and your mobile number.
What happens on the course?: Warmups to open imagination and explore physical and vocal expression.
You will be led on guided journeys and processes to immerse into each of the archetypes.
We also work with the 'rasas' emotional flavours to enliven and encourage flexible and varied expression. The course also gives an approach to a richer, more embodied vocal work.
A user-friendly process of ‘feeding in’ text (and/or improvisational coaching prompts) maximizes the freedom to access impulses.
Supportive side-coaching is also given.
Benefits include: integrated body expression; an unforced release into emotions; greater access to and trust of impulses; and a more intuitive and instinctual approach to creating, portraying and exploring characters. Perhaps also, a more nurtured imagination and more resourceful relationship with your inner life.
'The guided journeys were transporting ... brought a new level to my acting.'
Guila, Drama Teacher
What people say about the AoA online course
The Alchemy of Archetypes
for actors, clowns, theatre makers and the curious
Open to beginners as well as those with some theatre or performing experience!
At once both strange and familiar, the Archetypes are unique yet universal expressions of humanity, recognisable in myths and folk tales from many cultures and, in adapted forms, in plays and films.
You'll be guided to embody and explore the Hero, Mother, Child, Fool, Trickster, Crone, Devil, Lover, Maiden & the Carnival figure of Death.
Open up your vocal, physical and imaginative expression and celebrate the mythic inside of you!
'Fascinating and incredibly liberating.'
Mike West, Theatre Teacher
'Wonderful, inspiring, nurturing.'
Daisy Jordan, Visual Artist and Puppeteer
'A course to stretch beyond the familiar comfort zones and explore all the multitudes you contain.'
Gerry B, Writer, Performer
'I love Peta’s teaching – a free space to play and experiment. As an experienced performer, it was great to be challenged and to reconnect the physical to the intellectual.'
Pippa Evans
When:
21 July 2pm - 5pm UK time (BST)
22 July 2pm - 5pm UK time (BST)
23 July 2pm - 5pm UK time (BST)
24 July 2pm - 5pm UK time (BST)
Where:
ONLINE - by Zoom
What's it like on an ONLINE course? go here
‘Incredibly surprised by how well the course worked online
- almost like being in the room with others. Wonderfully inspiring, insightful and fun.’ - Carolina Ortega, Director/ Performer/ Dramaturg
Cost: £209 - or book before 27 June and save £50! Early Bird Price just £159.
PLEASE NOTE - Places on this course are limited.
APPLY NOW: email peta[at]petalily.com with: first and last name, the country you are based in and your mobile number.
What happens on the course?: Warmups to open imagination and explore physical and vocal expression.
You will be led on guided journeys and processes to immerse into each of the archetypes.
We also work with the 'rasas' emotional flavours to enliven and encourage flexible and varied expression. The course also gives an approach to a richer, more embodied vocal work.
A user-friendly process of ‘feeding in’ text (and/or improvisational coaching prompts) maximizes the freedom to access impulses.
Supportive side-coaching is also given.
Benefits include: integrated body expression; an unforced release into emotions; greater access to and trust of impulses; and a more intuitive and instinctual approach to creating, portraying and exploring characters. Perhaps also, a more nurtured imagination and more resourceful relationship with your inner life.
'The guided journeys were transporting ... brought a new level to my acting.'
Guila, Drama Teacher
What people say about the AoA online course
Illustration by Charlotte Biszewski
How Dark Clown works: Comedy craft can be employed to bring laughter to challenging subjects. Lily's Dark Clown work retains respect for the subject matter and creates intriguing and enriching experiences for performer and audience alike. Lily's unique approach makes widening the range of the clown's expression both safe and invigorating. Read more on the blog: www.petalily.com/clown-dark-clown-theatre-practice-blog
WATCH: ‘Peta Lily’s Dark Clown; Taking Laughter to the Limits' - Made by the remarkable photographer and documentary filmmaker Robert Golden, the film traces the steps of Peta Lily taking a group on the Clown & Dark Clown Course journey, extending the possibilities of Clown work beyond the Red Nose Clown style as taught by Philippe Gaulier and Jacques Lecoq. Through practical explorations over the last 30 years, she has built a unique approach to generating laughter from a darker context. View it HERE.
Dark Clown is Lily's unique body of work - she has founded an exciting new genre of Clown. Her paper The Comedy of Terrors – Dark Clown & Enforced Performance was delivered at the Bath Spa University and her Dark Clown work is cited in Jon Davison’s Clown (Readings in Theatre Practice) - Palgrave MacMillan 2013. You can also watch these short, sweet videos on Lily's Clown and Dark Clown work made by Nick Cowell.
WATCH: ‘Peta Lily’s Dark Clown; Taking Laughter to the Limits' - Made by the remarkable photographer and documentary filmmaker Robert Golden, the film traces the steps of Peta Lily taking a group on the Clown & Dark Clown Course journey, extending the possibilities of Clown work beyond the Red Nose Clown style as taught by Philippe Gaulier and Jacques Lecoq. Through practical explorations over the last 30 years, she has built a unique approach to generating laughter from a darker context. View it HERE.
Dark Clown is Lily's unique body of work - she has founded an exciting new genre of Clown. Her paper The Comedy of Terrors – Dark Clown & Enforced Performance was delivered at the Bath Spa University and her Dark Clown work is cited in Jon Davison’s Clown (Readings in Theatre Practice) - Palgrave MacMillan 2013. You can also watch these short, sweet videos on Lily's Clown and Dark Clown work made by Nick Cowell.
Peta Lily works as a Director, Acting Coach, Creative Mentor in online 121's - use the contact form below to know more
ONLINE CREATIVE 121’S
'I left the session buzzing and feeling THIS IS POSSIBLE! Peta is an effervescent and supportive mine of wisdom, creativity and knowledge. Thoroughly recommended.’ - Lexi Strauss Artist and Performer
'My favourite call this quarantine. Hugely inspired and in-spirit-ed.' - Ian Sellars, Theatre Explorer (121 introduction to Clown)
I worked with Peta developing script fragments. She really knows how to build a piece, a theatre maker through and through!'
- Karola Gajda Writer and Theatre Maker
DIRECTING / DRAMATURGY / ASSOCIATE DIRECTOR
'I cannot recommend Peta Lily highly enough - a brilliant dramaturg and mentor. She is sensitive to existing practice whilst questioning old habits to provoke bolder choices and deeper connection. We worked with her for just five days on La Poule and it was amazing.' - Sarah-Louise Young won The Stage Edinburgh Award 2016 Edinburgh directed by Peta Lily in 'La Poule Plombée/Je Regret'
‘I found the work liberating, wonderful fun and insightful ... so much to learn from her.’ - Shelley O’Brien, Mad Alice Theatre
'Her knowledge, understanding and experience within her craft is unprecedented.' - Stumbletrip Theatre Company
CREATIVE MENTOR / SCRIPT DOCTOR / SHOW DEVELOPMENT
‘In only two days, her advice, eye for details and sense of comedic timing took the work to a whole new level. Her experience and good spirit made it incredibly easy and intuitive to work together.’ - Sandrine Monin
‘Peta Lily is an incredible coach. I feel really privileged to have worked with her. Highly recommended.' - Fiona Coffey, Cabaret Artist 'A Touch of Mrs Robinson'
‘Thanks to Peta Lily for nipping and tucking the script and adding some absolutely hilarious moments.’ – Eva von Schnippisch, award-winning Cabaret Performer
ACTING COACHING / AUDITION COACHING
‘Detailed, astute coaching – helpful and uplifting.’ – Cindy-Jane Armbruster, Actor
And - when the world is open again: Inhouse Workshops & Master Classes
'A unique and rewarding experience - lots of the exercises really resonated and connected with me. I found it all very inspiring and I'm grateful for what you've taught.' - Student
Groups and companies need special skills for different projects. You might need movement, mime or comedy skills, or ways to physicalise characters. Some companies request Dark Clown consulting to stretch performers and add edge to a new production.
Courses can be designed specifically to suit groups - full information available - course themes include: Comedy Toolbox ● Emotional Zones and Character Creation ● Clown ● Clown & Dark Clown ● Mime ● You're On! - a course on turning your Life into Theatre (writing and performance) ● Comedy & Confidence ● Embodied Voice ● Alchemy of Archetypes (with or without masks) ● Commedia dell'Arte
Experience plus a wide ranging background - Lily has taught at many leading Drama schools and at Ecole Phillippe Gaulier in London. She regularly teaches at the Royal Central School of Speech and Drama and RADA. She has trained with Jacques Le Coq, Philippe Gaulier, Monika Pagneux, Theatre du Mouvement, Yoshi Oida, Carlo Boso (Commedia dell'Arte), Sankai Juku (Butoh Dance), Alvin Ailey School, NY, Master Yeung Kim Wah (Cantonese Opera) and Mike Alfreds (Theatre Direction). She also brings processes and insights from the liberating and integrating work of Dina Glouberman and Arnold Mindell.
Inspirational – the work and your whole approach to it. - Tony Casement Assistant Creative Director, Mercury Theatre, Colchester
Remarkable work - creative, inspiring, challenging and satisfying. - Graeme du Fresne, Summer School Director
She speaks the language of devising, focusing on character, honesty and audience connection. We whole-heartedly recommend her. - Amelia Bird Artistic Director, Gomito Productions
Versatile and skilful, bringing great character and movement out of the performers both individually and as an ensemble. - Writer and Theatre Director Debbie Oates
Course participants report Lily's clown work teaching to be 'empowering' with 'the right amount of support and challenge':
Dark Clown has helped me develop a balanced rounded clown character that has real depth. I already feel it has helped me free up my emotional range as a performer! - Ella Golt, Artist
Demystifying comedy and explaining all the rules – very empowering. - Stewart Pemberton Circus Performer and Tap Dancer
ONLINE CREATIVE 121’S
'I left the session buzzing and feeling THIS IS POSSIBLE! Peta is an effervescent and supportive mine of wisdom, creativity and knowledge. Thoroughly recommended.’ - Lexi Strauss Artist and Performer
'My favourite call this quarantine. Hugely inspired and in-spirit-ed.' - Ian Sellars, Theatre Explorer (121 introduction to Clown)
I worked with Peta developing script fragments. She really knows how to build a piece, a theatre maker through and through!'
- Karola Gajda Writer and Theatre Maker
DIRECTING / DRAMATURGY / ASSOCIATE DIRECTOR
'I cannot recommend Peta Lily highly enough - a brilliant dramaturg and mentor. She is sensitive to existing practice whilst questioning old habits to provoke bolder choices and deeper connection. We worked with her for just five days on La Poule and it was amazing.' - Sarah-Louise Young won The Stage Edinburgh Award 2016 Edinburgh directed by Peta Lily in 'La Poule Plombée/Je Regret'
‘I found the work liberating, wonderful fun and insightful ... so much to learn from her.’ - Shelley O’Brien, Mad Alice Theatre
'Her knowledge, understanding and experience within her craft is unprecedented.' - Stumbletrip Theatre Company
CREATIVE MENTOR / SCRIPT DOCTOR / SHOW DEVELOPMENT
‘In only two days, her advice, eye for details and sense of comedic timing took the work to a whole new level. Her experience and good spirit made it incredibly easy and intuitive to work together.’ - Sandrine Monin
‘Peta Lily is an incredible coach. I feel really privileged to have worked with her. Highly recommended.' - Fiona Coffey, Cabaret Artist 'A Touch of Mrs Robinson'
‘Thanks to Peta Lily for nipping and tucking the script and adding some absolutely hilarious moments.’ – Eva von Schnippisch, award-winning Cabaret Performer
ACTING COACHING / AUDITION COACHING
‘Detailed, astute coaching – helpful and uplifting.’ – Cindy-Jane Armbruster, Actor
And - when the world is open again: Inhouse Workshops & Master Classes
'A unique and rewarding experience - lots of the exercises really resonated and connected with me. I found it all very inspiring and I'm grateful for what you've taught.' - Student
Groups and companies need special skills for different projects. You might need movement, mime or comedy skills, or ways to physicalise characters. Some companies request Dark Clown consulting to stretch performers and add edge to a new production.
Courses can be designed specifically to suit groups - full information available - course themes include: Comedy Toolbox ● Emotional Zones and Character Creation ● Clown ● Clown & Dark Clown ● Mime ● You're On! - a course on turning your Life into Theatre (writing and performance) ● Comedy & Confidence ● Embodied Voice ● Alchemy of Archetypes (with or without masks) ● Commedia dell'Arte
Experience plus a wide ranging background - Lily has taught at many leading Drama schools and at Ecole Phillippe Gaulier in London. She regularly teaches at the Royal Central School of Speech and Drama and RADA. She has trained with Jacques Le Coq, Philippe Gaulier, Monika Pagneux, Theatre du Mouvement, Yoshi Oida, Carlo Boso (Commedia dell'Arte), Sankai Juku (Butoh Dance), Alvin Ailey School, NY, Master Yeung Kim Wah (Cantonese Opera) and Mike Alfreds (Theatre Direction). She also brings processes and insights from the liberating and integrating work of Dina Glouberman and Arnold Mindell.
Inspirational – the work and your whole approach to it. - Tony Casement Assistant Creative Director, Mercury Theatre, Colchester
Remarkable work - creative, inspiring, challenging and satisfying. - Graeme du Fresne, Summer School Director
She speaks the language of devising, focusing on character, honesty and audience connection. We whole-heartedly recommend her. - Amelia Bird Artistic Director, Gomito Productions
Versatile and skilful, bringing great character and movement out of the performers both individually and as an ensemble. - Writer and Theatre Director Debbie Oates
Course participants report Lily's clown work teaching to be 'empowering' with 'the right amount of support and challenge':
Dark Clown has helped me develop a balanced rounded clown character that has real depth. I already feel it has helped me free up my emotional range as a performer! - Ella Golt, Artist
Demystifying comedy and explaining all the rules – very empowering. - Stewart Pemberton Circus Performer and Tap Dancer
Under non-pandemic circumstances: Lily teaches workshops and master classes in-person
‘a phenomenal teacher…skilled like you wouldn't believe…an exhilarating experience…’
Regular open courses include: Clown & Dark Clown; Dark Clown Level Two (available to graduates of the 2-day Clown & Dark Clown course); Take your Clown / Act / Idea Further; Comedy Toolbox and
The Alchemy of Archetypes (working with half mask and 9 archetypes) and Commedia dell'Arte.
To hire a workshop leader (for the future) go here.
‘a phenomenal teacher…skilled like you wouldn't believe…an exhilarating experience…’
Regular open courses include: Clown & Dark Clown; Dark Clown Level Two (available to graduates of the 2-day Clown & Dark Clown course); Take your Clown / Act / Idea Further; Comedy Toolbox and
The Alchemy of Archetypes (working with half mask and 9 archetypes) and Commedia dell'Arte.
To hire a workshop leader (for the future) go here.
